All Souls’

All Souls’ Day

                         Hungary, 1989

           We drank brandy for breakfast, ate smoked bacon,

            raw onions, crusty petals of heavy

            bread, and apples we picked in the orchard

            at dawn. Your nephew fed field mice

            to a wounded owl he kept caged in the garden.

            There was a cross on top of the hill. A bronze soldier

            rode a bronze horse that reared in the cobbled square,

            and he pointed his sword toward the yellow church tower.

            You showed me where there was once a well

            where bodies were stacked and layered with lime

            to prevent the spread of disease while the war

            wore on. The grass there seemed like the grass

            all around. I wanted to say I was sorry.

            If it rained that day, I can’t even remember.

            I only know where I knelt and let  

            my sweater slide to the ground while

            you smiled and fumbled with buttons.

            By daylight, the graveyards blazed

            with chrysanthemums. Even there, the dead

            were stacked in the earth—the land was needed

            for feeding the living. On the late ride back

            to Budapest, I could smell the sausage

            your cousin had packed, could hear wine bottles clink

            when we took the curves, and I made up words

            to go with the song of a gypsy cimbalom:

            that night the stars abandoned the sky

            for the candle-lit hills where the dead promenade.

This poem was originally published in the Jefferson Journal. If you enjoyed this piece, please comment here, follow this site, or feel free to share.

Poem for Earth Day

White Pine at Cantigny by Jacalyn McNamara 2019

EARTH DAY
   by J McNamara

Because she is cloud stuff

And hummingbird wing

They’re screaming steel at her

Where she is pollen and shimmer

Where she’s all bumble bee

They’re building barricades

Laying down the tarmac

No wonder she peels away

Layers of skin no wonder

She pulls out strands of hair

Hanging them in branches

Because she’s all soft syllable

They ring her in with wire

Still she contains them

Fruit and seed

Where she is honey

They bring in the brass

Where she is apple

The weight of the press

Where she is fragrant

The concrete asylum

 

If you enjoyed this poem, please consider sharing it. You can also follow jmcnamara.net for more original work on Art-Wellness-Education.

© Jacalyn McNamara 2017

“Optional Homework” with Kim Stafford at SOU’s Hannon Library

In a reading at Southern Oregon University’s Hannon Library on April 18 Oregon’s Poet Laureate Kim Stafford played guitar and sang Oregon folk songs with the voice of an angel. It’s refreshing when he teaches the chorus to the audience and asks us to sing along with him. But what’s most unexpected is his “optional homework” assignments interspersed with poems and songs.

Photo from Lewis and Clark Graduate School of education and Counseling

Stafford, an Oregon native is author of a dozen books of poetry and prose, and editor of more. His book Having Everything Right: Essays of Place won a citation for excellence from the Western States Book Awards in 1986. and he has received creative writing fellowships from the National Endowment for the Arts, a Governor’s Arts Award, and the Stewart Holbrook Award from Literary Arts for his contributions to Oregon’s literary culture.

For his first optional homework assignment, he directs us to rhymezone.com to choose a word and find a handful of rhymes to play with. As example he read his poem “The Seed” a kind of anthem for the poet:

Every chance I get, any place I fit,
in a cleft of grit, in ravine or pit
by ancient wit my husk I split—
I am the seed.
. . .

For his next optional assignment, he offers a way to cope with the ongoing, overwhelming news of the day. Write a non-fiction poem in two parts: in the first part, write just the facts in the language and rhetoric you hear in the news, then write a second part in which you talk back and give your own feelings and position. In one example, his first section uses the exact words of an emergency alert, while in the second part, he playfully shifts the language to create a different kind of warning in the excerpt from “Presidential Alert.”

THIS IS A TEST
of the National Wireless
Emergency Alert System
No action is needed

This is your President speaking
Please take no action
This is only a test
Please remain calm
and silent
. . .

His second example excerpted here is based on an article in The Guardian about how birds die, “What Birds Teach Us”

  
1. How Birds Die

Get caught by a kitty cat: 2.4 billion.
Collateral damage of industry: 700 million.
Hit a window: 600 million.
Hit by car: 214 million.
Get poisoned: 72 million.
Hit a powerline: 25 million.
Get electrocuted: 5 million.
Hit a turbine: 234 thousand.
Get blinded by city lights and stray.
Search in vain for starlight’s guide.
Get out of sync with climate change:
   depart too late, arrive too early.
. . .

2. How Birds Live

Fence wire—a throne for singing and singing.
Thorns in the blackberry thicket—jewels of safety.
A vacant lot, rife with a chance mix—heaven.
Wing bars of crimson, mustard, moss—kinfolk.
A fat worm, a ripe seed, a caught beetle—enough.
Twig feet on a twig after a thousand miles—rest.
Bill tucked under a wing—spiral home.
Cast-off thread and thistledown—snug nest.
. . .

For more optional homework, try “secret publishing.” Take any poem you have written and place it in a book in the library. Or fold it and tuck it into the pocket of a jacket at your local Goodwill. It’s an unexpected find for the reader and a surprising way of making your poems public.

Among the other homework suggestions: find someone who needs a poem and write one for them, or write a poem that honors the stories in your family. Most important was Stafford’s suggestion from his own dad, the poet William Stafford: write the thing that is most alive. Good advice. I intend to take it.

If you get a chance to see Kim Stafford at one of his many appearances during National Poetry Month or throughout the next year, you’ll not only get a great reading and a sing-along concert, you will get a master class in writing poetry.

Apple Blossoms on May Day

“The first blossom was the best blossom” according to poet Louis MacNiece “for the child who never had seen an orchard.”

blossom 5.JPG

Blossom 5 by Jacalyn McNamara

In tune with the seasons on May Day, I gather blossoms from the old pioneer apple tree and bundle them into a blue pitcher for the table. This tree has been threatening to die, but this year the blossoms are profuse, a gift from the river of rain that fell in the last storm. I planted a new tree, a Fuji, five years ago, and it too has finally surged into a generous cloud of blossom.

blossom 2.JPG

Blossom 2 by Jacalyn McNamara

May Day is a coming-of-age and a woman’s feast. I was raised Catholic, a proper pagan. My sisters and I carried armloads of blossoms up to our farmhouse bedrooms, pulling out scarfs and making altars to welcome the May Queen, waiting to find out who we’d become, wondering if we’d marry and have children and orchards of our own. “Oh, Mary we crown thee . . .”

blossom 3.JPG

Blossom 3 by Jacalyn McNamara

In “Apple Blossoms,” Susan Kelly-DeWitt writes of that coming-of-age anticipation, waiting as

blossom 1

Blossom 1 by Jacalyn McNamara

. . . the secret

and docile buds of the apple

 

blossoms begin their quick

ascent to light. Night

after interminable night

 

the sugars pucker and swell

into green slips, green

silks. And just as you find

 

yourself at the end

of winter’s long, cold

rope, the blossoms open . . .

blossom 6.JPG

Blossom 6 by Jacalyn McNamara

The petals are fragile, liminal—the slightest wind can lift them away—but they are intended that way; they are meant to pass like a breath, the slips and silks of a girl. This gives them their breath-taking power. In Robert Haas’s “Apple Trees at Olema,” we are “shaken by the raw, backlit flaring | of the apple blossoms.”

blossom 4.JPG

Blossom 4 by Jacalyn McNamara

All blossoms are by nature transformative–the apple more so since it feeds us–like the hazel wand in Yeats’s “Song of the Wandering Aengus” which turns into–

. . . a glimmering girl

With apple blossom in her hair

Who called me by my name and ran

and faded through the brightening air.

 

On the Birthday of Emily Brontë

Passionate. Disciplined. Wildly imaginative.

Growing up isolated on the moors of England, Emily Brontë found the inspiration for her masterpiece Wuthering Heights in the cold and windy hills of her own back yard. I remain spellbound.

Bronte

Spellbound

The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me
And I cannot, cannot go.

The giant trees are bending
Their bare boughs weighed with snow.
And the storm is fast descending,
And yet I cannot go.

Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing drear can move me;
I will not, cannot go.

Emily Brontë     1836

Writing Your Own Creed with Poet and Novelist D H Lawrence

“This is what I believe: That I am I,

That my soul is a dark forest,

That my known self will never be more than a clearing in the forest,

That gods, strange gods, come forth from the forest into the clearing of my known self, and then go back,

That I must have the courage to let them come and go,

That I will never let mankind put anything over me, but that I will always try to honor the gods in me and the gods in other men and women, 

There is my creed.

dark forest

                                                         Redwood Forest by Jacalyn McNamara 2014

A creed is a set of beliefs that guide your actions. Many adopt the creeds of a formal religious group or an organization to which they belong. But freethinkers must generate creeds of their own since they are originators in the world. 

What set of beliefs guides you as artist and writer? Take time to think on this and share your creed with me or on your own blog.

Happy Birthday William Shakespeare!

Four hundred and fifty one years ago today, William Shakespeare, arguably the greatest writer in the English language, was born. His plays and poetry are still being studied all over the world in spite of the difficulty of reading Early Modern English and the bard’s complex sentence structures and arcane language.

For those who dare, who want to learn more about Shakespeare’s work, his life, and times but feel overwhelmed by the dense language of the plays, I’ll be offering an Introduction to Shakespeare class online this summer through College of the Siskiyous–ENGL 1033 5031 beginning June 1, 2015.

We will focus on the fascinating social and cultural matrix of Renaissance and Elizabethan England to set the stage for our readings of “Much Ado About Nothing” and “The Tragedy of Antony and Cleopatra,” along with the sonnets and other poems. Both plays will be produced this summer by the Oregon Shakespeare Festival in neighboring Ashland, Oregon.

Lest you think Shakespeare is too old school for you, here’s a poem from “Much Ado.”

Young man among roses

Young Man Among Roses, by Nicholas Hilliard, 1588–believed to be the Earl of Essex.

Sigh no more, ladies, sigh no more;

Men were deceivers ever;

One foot in sea and one on shore,

To one thing constant never;

Then sigh not so,

But let them go,

And be you blithe and bonny;

Converting all your sounds of woe

Into, Hey nonny, nonny.

If you’re ready to read more,  you can check out Jeremy Hylton’s excellent site The Complete Works of William Shakespeare on the Web.

If you’re already a fan, what are your favorite poems and plays? Favorite quotations?

Earth Day Poems by E E Cummings

Pacifist and innovative stylist, Edward Estlin Cummings 
was born in 1894 in Cambridge, Massachusetts. 
A structural non-conformist, Cummings self-published
until the counterculture of the 50's and 60's discovered him.

DSC01173"as is the sea marvelous" 

as is the sea marvelous
from god’s
hands which sent her forth
to sleep upon the world

and the earth withers
the moon crumbles
one by one
stars flutter into dust

but the sea
does not change
and she goes forth out of hands and
she returns into hands

and is with sleep….

love,
    the breaking

of your
        soul
        upon
my lips


Yellow mountain
"O sweet spontaneous"

O sweet spontaneous
earth how often have
the
doting

fingers of
prurient philosophers pinched
and
poked

thee
has the naughty thumb
of science prodded
thy

beauty .
how
often have religions taken
thee upon their scraggy knees
squeezing and

buffeting thee that thou mightest conceive
gods
(but
true

to the incomparable
couch of death thy
rhythmic
lover

thou answerest

them only with

spring)